Chapter 5 of 540%

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Chapter 5 · 6 minute read

Nell: A Professional Encounter with a Giant Crab

The tourist-information office contained four racks of leaflets, a basket of postcards and a man dressed as a crab.

The crab was not part of the permanent staff. He was promoting the harbour fun run, an event whose name made two claims I considered difficult to support. His foam claws prevented him from operating the leaflet stand, so he had recruited the woman behind the desk to assist.

Kit stopped in the doorway.

“Do we interview him?” she asked.

“Only if he has information about opening hours.”

We had come to verify the things everyone thought they knew about Marden. The outdoor cinema still ran twice a month, but the old poster outside the library showed the previous year's dates. The public toilets near the harbour had seasonal hours. The craft room above the charity shop was available for some community sessions, but only with advance agreement. Several good things existed in the town. The information about them appeared to have been distributed through a system of rumours and paper going pale in windows.

The woman behind the desk, whose badge said SUE, listened to our explanation and immediately gave us a folder thicker than the guide we intended to make.

“Some of that's old,” she said. “Not all of it says so.”

“Excellent,” I replied. “An archival adventure.”

Kit took a photograph of the opening-hours board with permission. I wrote down the names of the people we needed to contact. The crab turned towards us, his costume squeaking.

“You're the guide girls?” he asked.

I had not expected a professional identity to arrive so quickly or include the word girls in that particular way.

“We're making the youth guide,” I said.

“Henry said you'd be round.”

“Henry?”

At that moment, Henry Ellis came through the back door carrying a microphone and a paper cup. He was not dressed as a sea creature. This was one of several things I liked about him.

Henry volunteered at the community radio station, wrote confidently worded posts about local music and could ask a question without making it sound like a test. We had been in the same media project the previous term. I spent most of that project pretending my interest in his opinions was purely intellectual.

“Nell,” he said, smiling. “Kit. Perfect timing.”

Kit raised a hand in greeting. She knew Henry from the theatre's technical crew. Of course she did. One of the disadvantages of a small town was that people you regarded as belonging to separate parts of your life often borrowed ladders from one another.

“We're recording short pieces for Open Town Week,” Henry explained. “The fun run, the market, the new guide. Would you both say a few words?”

I looked at Kit. She looked at the microphone.

“Now?” she asked.

“Nothing elaborate. Why you're making it. What you want people to use it for.”

I had an answer ready because I had been thinking about it every day. Kit did not seem opposed, only wary of being asked to perform an opinion on demand.

“Could we have five minutes?” I said.

“Of course.” Henry moved aside. “Crab first, then.”

The crab tried to take the microphone and discovered the limitations of his claws. Sue held it for him. Kit watched with the expression she used when something was visually excellent and practically disastrous.

Outside, we stood beside the postcard display.

“What do you want to say?” I asked her.

She looked surprised by the question.

“About showing the parts that aren't in the brochure. The awkward route. The good bench. Things you can actually use.”

“Good. I'll do why the old guide wasn't working. You do what we're changing.”

“Both of us do what we're changing.”

“Yes. I meant—yes.”

She nodded. I wished every sentence between us did not require a small inspection for structural weaknesses, but we had earned the need for it.

Henry recorded us beside the harbour wall. I began too formally, heard myself saying accessible opportunities and stopped.

“Can I start again?”

“Please,” Kit said. “You were becoming a leaflet.”

Henry laughed. I laughed too, and the second version sounded like me.

“We wanted a guide for the days when you've got three hours, not much money and no idea where to go,” I said. “With a friend, with someone you'd like to know better, or by yourself. Not every good afternoon has to involve buying something.”

Kit talked about the photographs and practical notes. Henry asked a follow-up question that made both of us answer at once. We stopped, looked at each other and then, unfortunately, both said, “You go.”

The crab walked through the background during our third attempt.

“This is unusable,” I said.

“This is excellent radio,” Henry replied.

When we finished, he asked whether he could photograph us holding the draft plan. Kit agreed after checking where the image would be used. I held the clipboard. She stood beside me, close enough that the camera strap brushed my arm.

“Less hostage situation,” Henry said.

“This is our natural professional manner,” Kit told him.

I laughed. Henry took the picture at exactly that moment.

Later, while Kit checked a notice near the lifeboat house, Henry asked if I wanted to come to a music night he was helping organise.

“Not an interview,” he added. “Just come.”

My brain took an unhelpful amount of time to establish whether this was an invitation to a public event or a personal invitation attached to a public event.

“Who else is going?” I asked, a question I regretted immediately.

“A lot of people, hopefully. But I was asking you.”

“Oh.”

He smiled, not making the moment worse by pretending not to understand it.

“Saturday week. I can send the details.”

“Yes,” I said. “Do.”

Kit came back holding a photograph of the cinema notice on her phone.

“New dates,” she said. “Actual ones.”

“Brilliant.”

I sounded too pleased. She looked at me, then at Henry, then back at the notice.

We left with a folder of useful information and a leaflet for the fun run neither of us intended to enter. At the crossing, Kit asked whether Henry had invited me to the music night.

“Yes.”

“He's good company.”

“I know.”

The conversation stopped there. I told myself there was no reason it should continue. Then I spent the walk to the library thinking about the fact that Kit had said it so evenly.

Chapters

The Very Unofficial Guide to Us

  1. 01Nell: The Worst Available Partner7 minutes
  2. 02Kit: A Useful Amount of Distance6 minutes
  3. 03Nell: Terms, Conditions and a Suspicious Number of Ducks6 minutes
  4. 04Kit: Forty-Three Steps5 minutes
  5. 05Nell: A Professional Encounter with a Giant CrabReading now6 minutes
  6. 06Kit: What People Look At6 minutes
  7. 07Nell: An Afternoon with Other People in It5 minutes
  8. 08Kit: The Smile in the Sample Layout5 minutes
  9. 09Nell: A Date, According to the Available Evidence5 minutes
  10. 10Kit: A Film We Didn't See5 minutes
  11. 11Nell: Promotional Materials4 minutes
  12. 12Kit: The Word We Didn't Use4 minutes
  13. 13Nell: A Reasonable Amount of Rain7 minutes
  14. 14Kit: Parts We Had Kept7 minutes
  15. 15Nell: Supporting Roles5 minutes
  16. 16Kit: The Picnic Problem5 minutes
  17. 17Nell: The Opportunity to Say Something Sensible5 minutes
  18. 18Kit: The City at the Other End5 minutes
  19. 19Nell: Not Research5 minutes
  20. 20Kit: The Morning After the Beginning5 minutes
  21. 21Nell: The Person in the Interview5 minutes
  22. 22Kit: A Room with a Brick Wall4 minutes
  23. 23Nell: A Cleaner Story4 minutes
  24. 24Kit: The Name Below the Picture5 minutes
  25. 25Nell: Corrections5 minutes
  26. 26Kit: Work We Had Agreed to Do5 minutes
  27. 27Nell: The People the Guide Was For5 minutes
  28. 28Kit: Something That Was Mine5 minutes
  29. 29Nell: No Better Version5 minutes
  30. 30Kit: The Meeting with the Biscuits5 minutes
  31. 31Nell: A Smaller, Better Problem4 minutes
  32. 32Kit: The Things a Photograph Cannot Do5 minutes
  33. 33Nell: Your Turn, My Turn6 minutes
  34. 34Kit: Proof5 minutes
  35. 35Nell: Public Speaking and Other Natural Disasters5 minutes
  36. 36Kit: Before the Boxes5 minutes
  37. 37Nell: Weather Alternatives Inside5 minutes
  38. 38Kit: The Room We Had5 minutes
  39. 39Nell: Questions from the Audience5 minutes
  40. 40Kit: After the Last Copy on the Table5 minutes
  41. 41Nell: The First Day of Not Knowing5 minutes
  42. 42Kit: The Weight of Ordinary Things4 minutes
  43. 43Nell: A Guide with Missing Pages5 minutes
  44. 44Kit: The Road Out5 minutes
  45. 45Nell: A Town with One Person Missing4 minutes
  46. 46Kit: People Who Hadn't Known Me at Fourteen4 minutes
  47. 47Nell: No Problem4 minutes
  48. 48Kit: The Wrong Sound5 minutes
  49. 49Nell: The Date on the Back4 minutes
  50. 50Kit: A Very Approximate Itinerary4 minutes
  51. 51Nell: The Other End of the Journey4 minutes
  52. 52Kit: After the Train4 minutes
  53. 53Nell: The Next Issue4 minutes
  54. 54Kit: Your Turn4 minutes

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